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How to advertise on In The Dark: what it costs, who buys, and how to book

Abhishek Thory

Abhishek Thory

Founding Team, Podcast Ad Data & Research

In The Dark sells its host-read inventory direct through its publisher rather than off a public rate card, with every flight quoted per campaign. Spotsnow attributes 100% of the show's tracked host-read activity to direct response, and the top spender on the feed, Hero Bread, has run roughly 8 to 9 ads there. For a buyer, that mix says one thing: this is a coded-offer feed where brands come back, not a one-off prestige placement. Spotsnow estimates all of this from tracked advertiser activity, not audience surveys.

In The Dark podcast cover art used in a guide to advertising on the show

In The Dark is a long-form investigative series that spends whole seasons on a single case, which is why its ad breaks behave differently from a weekly chat show's.

Why In The Dark is built for host-read direct response

The show is hosted by Madeleine Baran, an investigative journalist whose reporting has pushed real legal re-examinations, and it sits in true crime on Spotsnow with news, society and culture, and government as secondary placements.

Spotsnow data shows direct response accounts for 100% of tracked host-reads on the feed. That matters because every read here carries a code or a vanity URL, so you can tie orders back to the show instead of arguing about lift. Spotsnow estimates the audience at roughly 560,000 listeners, an estimate rather than a counted figure.

Format is the real argument. Narrative investigative audio trains people to listen in long, uninterrupted stretches, and they don't skip the way they do through a loose interview. When Baran steps out of the story to read a spot, that attention carries over for the thirty seconds it takes to say a code out loud. A host-read borrows exactly that, and on a show about verifying facts carefully, the endorsement reads as a judgment call rather than a traffic buy.

The influence signal

Apple Podcasts shows a 4.6 average rating across roughly 25,000 to 29,000 ratings, which is unusual volume for a series that publishes in seasons rather than weekly. The influence is concentrated in the feed itself instead of being spread across social platforms, so the listening relationship is where your money works. The audience skews female and well-off, mostly 25 to 44, concentrated in the US with a strong UK following.

Who is advertising on In The Dark

Spotsnow tracked roughly 21 to 24 brands on the show in the recent window, split between DTC and software advertisers buying coded host-reads and large consumer brands buying produced spots. The recognizable names include Disney+, Netflix, Wayfair, Mint Mobile, and Neiman Marcus.

The anchor advertisers, broken down

Hero Bread brand logo, the top host-read advertiser on In The Dark

Hero Bread

Hero Bread sells low net carb breads, rolls, and tortillas direct to consumers. Spotsnow estimates over $100K in total spend on the show across roughly 8 to 9 ads, all classified direct response. A smart-indulgence pitch works on an attentive, higher-income audience that reads labels and will type a code at checkout.

Gusto payroll and HR software logo, a direct-response sponsor of In The Dark

Gusto

Gusto runs cloud payroll, benefits, and HR software for small businesses. Spotsnow estimates over $100K in total spend here across roughly 7 to 8 ads, classified direct response. Plenty of this audience runs or manages a business, and a software offer with a free-months hook converts off a single trusted mention.

Built

Built, the rent-rewards card, turns a monthly rent payment into points. Spotsnow estimates over $100K in total spend on the show across roughly 5 ads, all direct response. It's a city-renter product aimed at people with good income and no mortgage, which is a fair description of a large slice of this feed.

The awareness outlier

Disney+, Netflix, and Neiman Marcus all show up with produced brand spots rather than coded host-reads. Different objective, same feed: they're buying association with serious journalism and a hard-to-reach audience, which tells you a reach play clears here too.

BrandEst. total spendDirect-responseTime of spend (last 1 year)
Hero BreadOver $100KYesActive through autumn 2026
GustoOver $100KYesActive through autumn 2026
BuiltOver $100KYesActive through autumn 2026

All spend figures are Spotsnow estimates.

Anchor advertiser ad counts on In The Dark
Tracked ads on In The Dark (approx.)
Spotsnow estimates, published as ranges

Why true crime brands cluster here

Most true crime inventory is bought on volume. This feed isn't that. Baran's authority comes from accountability reporting, and listeners who follow a season about institutional failure are, by definition, people who finish things and check claims. That's a strange and useful customer: skeptical, but once persuaded, loyal. Which is why the roster skews toward products that require a small act of belief, a bread that claims to taste like bread, payroll software replacing a spreadsheet, a card that rewards rent. None of those sell on a jingle. They sell when someone the listener already trusts says the numbers out loud and then hands over a code. Spotsnow data shows every tracked host-read on the show is direct response, and the anchors keep rebuying, which is the only proof that actually settles the argument. The big streamers buying produced spots alongside them are paying for the same trust, just without the attribution.

How your ad could sound

Host-read, Hero Bread on In The Dark

0:00 / 0:00

The Hero Bread read is a good template. It opens on a sensory claim any listener can test, "Bread that tastes like bread, not cardboard," then immediately backs it with specifics on fiber, net carbs, and sugar. The offer is clean: 10% off, one destination, and the code gets spelled out letter by letter at the end, which is the single most underrated recall trick in host-read audio.

Two things I'd change. The "Get it? Wrap? See what I did there?" aside kills the momentum right before the ask, and in a read this short you cannot afford a dead beat between the benefit and the offer. The code also arrives late and only once, with no deadline attached. Say the code early, repeat it at the close, and give it a reason to be used this week.

View what a great sample ad looks like here.

What makes a show like this convert

  1. The format holds attention through the break. Serialized investigative storytelling gets listened to in long sittings, so a mid-roll lands on an engaged ear instead of a skipped one.
  2. The host's credibility transfers. Madeleine Baran's reputation is built on verification, and an endorsement from a reporter reads as vetting, not inventory.
  3. The audience can afford the offer. Spotsnow estimates roughly 560,000 listeners, skewing female, well-off, and mostly 25 to 44, with the US dominant and a strong UK tail.
  4. The anchors rebuy. Hero Bread's roughly 8 to 9 ads on the show, per Spotsnow, is a brand that renewed repeatedly after seeing its own code data.

In The Dark in a nutshell

The listener is an engaged news-and-justice consumer, mostly American, higher-income, and more female than male. The brands already buying split into coded host-reads from DTC food, fintech, and small-business software, and produced spots from streamers and luxury retail. Inventory is quoted per campaign through the show's publisher rather than a network rate card, so expect a conversation, not a self-serve checkout. Spotsnow data shows the host-read side of this feed is entirely direct response, which makes it a performance buy first and an association buy second.


Frequently asked questions

In The Dark is sold on a quoted basis rather than a public rate card. Four things move the number: placement (mid-roll host-read prices above pre-roll and post-roll), read type (a host endorsement prices above a produced spot), commitment length (multi-episode flights and category exclusivity price better than a single test), and how close you are to the air date. For market context, a host-read spot on a typical show costs a brand roughly $20 to $30 for every thousand listeners it reaches. In-demand shows clear well above that. The more useful signal for this show is who already buys: Hero Bread has run roughly 8 to 9 ads, alongside Gusto and Built. Repeat buying at that level tells you more about where a show prices, and what it's worth to the brands buying it, than an outside estimate can.

Ads run on most episodes, so the show is in demand and inventory moves fast. Plan on reaching out sooner than you think you need to.

Figure about 1 week to book, then 2 to 3 weeks to produce and run, plus 2 to 3 weeks of lead time, so roughly 5 to 7 weeks end to end.

In The Dark is sold direct rather than through one of the large networks. You can approach the host's representation, The New Yorker, or book through a platform that already has the show in its inventory. You can view different advertising platforms here.

Both. Spotsnow data shows the host-read side is entirely direct response, while brands like Disney+, Netflix, and Neiman Marcus have run produced awareness spots on the same feed. If you want attribution, buy the host-read; if you want association with the journalism, a produced spot clears.

Spotsnow estimates roughly 560,000 listeners, an estimated figure, skewing female and well-off, mostly 25 to 44, concentrated in the US with a strong UK following. Apple Podcasts shows a 4.6 rating across roughly 25,000 to 29,000 ratings.


In The Dark isn't the only feed reaching this audience. Spotsnow shows which true crime podcasts have host-read spots open right now, and which brands already buy them.

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