How to advertise on I Miss You Man: what it costs, who buys, and how to book

Sargam Poudel
Head of Podcast Ad Intelligence
I Miss You Man sells its inventory as produced, dynamically inserted spots quoted per campaign, not off a public rate card. Spotsnow estimates the show reaches roughly 740,000 listeners, and Spotsnow attributes no host-read direct-response activity to it at all. The heaviest recurring names, brands like Progressive, AT&T and Aura, each show up across roughly 4 to 6 appearances in the recent window, which tells you this is an awareness buy: reach and blue-chip association rather than coded attribution. If you're a brand weighing this feed, that mix decides everything about how you'd use it. Spotsnow estimates all of this from tracked advertiser activity, not audience surveys. See I Miss You Man on Spotsnow.

Why I Miss You Man sells reach, not coded attribution
The show is hosted by Dylan and Lonnie, two friends running a weekly pop-culture and nostalgia comedy show. It sits in comedy, alongside subcategories in tv and film, leisure, and society and culture.
Spotsnow attributes no direct-response host-read activity to this feed. The inventory that runs here is produced and dynamically inserted, so the pitch isn't a promo code that fires a purchase. It's the format that carries the value. The show's rhythm, two hosts riffing through a bit, holds attention right up to the break, and a produced spot dropped into that flow rides the goodwill without asking listeners to do arithmetic. Spotsnow estimates reach at roughly 740,000 listeners, and that figure is an estimate, not an audited count. For a brand chasing awareness across a large, engaged audience, that's the argument.
Influence here lives in the feed rather than spread across social platforms. The show's off-feed footprint is small, so the value sits in the audio itself and the estimated audience listening to it week over week. That's a cleaner read than a scattered social presence: the people are in the app, hitting play.
Who is advertising on I Miss You Man
The roster reads blue-chip and broad, the kind of national advertisers you'd expect from a large comedy feed monetized through programmatic inventory. Spotsnow's recent data shows roughly 43 to 50 advertisers running in the recent window. Names you'll recognize include Progressive, AT&T, Aura, American Express and Wayfair.
The recurring advertisers, broken down
Spotsnow returns no spend-ranked host-read roster for this show, so there's no verified per-brand spend to publish. What the data does show is which national brands keep coming back, and that repeat pattern is the signal worth reading.
Progressive Insurance
Progressive sells auto and home insurance, and it's one of the show's most consistent buyers, running roughly 5 to 6 appearances in the recent window as produced spots. Spotsnow classifies the activity as awareness, not direct-response. A big, national insurer that buys on repeat wants scale and frequency in front of a broad adult audience, which is exactly what this feed delivers.
AT&T
AT&T sells wireless, internet and connected services, and it runs roughly 4 to 5 appearances here as produced spots, again on an awareness footing per Spotsnow. Telecom lives and dies on top-of-mind recall, so a comedy feed with a large millennial-adult audience is a natural place to keep the brand in the ear.
Aura
Aura sells digital security and identity-theft protection, and Spotsnow shows it running roughly 4 to 5 appearances as produced spots, classified as awareness. Identity protection is an easy sell to a tech-comfortable adult audience worried about scams and breaches, and the produced format lets Aura stack its benefits without leaning on the hosts.
The outlier: a cross-promo read
One podcast cross-promotion turns up as an actual host-voiced spot rather than a produced insert, which shows the hosts can and do endorse when it fits. It's a signal that a native read is possible on this feed even though the paid inventory runs produced. A different objective can work here; it just isn't the norm.
| Brand | Est. total spend | Direct-response | Time of spend (last 1 year) |
|---|---|---|---|
| Progressive | Not spend-ranked | No, awareness | Through Aug 2026 |
| AT&T | Not spend-ranked | No, awareness | Through Aug 2026 |
| Aura | Not spend-ranked | No, awareness | Through Aug 2026 |
All spend figures are Spotsnow estimates.
Why comedy brands cluster here
Look at who buys and a pattern jumps out: insurers, carriers, banks, retailers, security apps. These are advertisers that need to be remembered, not clicked. A comedy feed built on two hosts and a running rapport puts a brand next to something listeners actively enjoy, and that association does the work a coupon code can't. The audience skews male and lands squarely in core millennial adults, with middle to upper-middle household income and a reach that's international with a sizable US contingent. That's a buying-age, spending-age crowd. National brands cluster here because the show delivers scale and a friendly context at once, and because produced inventory lets them run clean, consistent messaging without renegotiating a host script every flight.
How your ad could sound
Here's a produced spot that actually ran on the feed, an Aura identity-protection read inserted mid-episode.
Produced :60, I Miss You Man (Aura)
0:00 / 0:00What works: a sharp fear hook (robocalls, data brokers, ads that follow you around), then one clean call to action, "Start your free trial today at aura.com." One offer, one destination, repeated. That's how a produced spot should close.
What's worth improving: the benefit stacking runs long. VPN, antivirus, password manager, spam-call protection, dark-web monitoring and insurance all land in one breath, and by the end the single thing you want a listener to remember is competing with six others. A produced read like this also trades the personal endorsement of a host for pure reach, so the fix isn't a code, it's tighter copy and one hero benefit carried through. If you want a template for a stronger read, View what a great sample ad looks like here.
What makes a show like this convert
- The format carries the message. Produced spots dropped into a two-host comedy flow ride the show's momentum instead of interrupting it, which keeps a listener present through the break.
- Host rapport lends the brand context. Dylan and Lonnie's easy back-and-forth is the reason listeners stay, and a spot next to that goodwill inherits some of it.
- The audience is buying-age. Spotsnow estimates roughly 740,000 listeners skewing male, core millennial adults, at middle to upper-middle income, the crowd insurers and carriers pay to reach.
- Repeat buying proves the math. Progressive alone runs roughly 5 to 6 appearances in the recent window, and brands that big don't re-up on a feed that doesn't perform for them.
I Miss You Man in a nutshell
The audience is an estimated 740,000-strong crowd of core millennial adults, skewing male, at middle to upper-middle income and spread internationally with a sizable US share. National names like Progressive, AT&T, Aura, American Express and Wayfair already buy here, and they run as produced, dynamically inserted spots rather than host endorsements. The show is sold on a quoted, per-campaign basis, not a public rate card. Bottom line: this is an awareness and association buy for brands that want scale, not a coded direct-response feed.
Frequently asked questions
I Miss You Man is sold on a quoted basis rather than a public rate card. Four things move the number: placement (mid-roll host-read prices above pre-roll and post-roll), read type (a host endorsement prices above a produced spot), commitment length (multi-episode flights and category exclusivity price better than a single test), and how close you are to the air date. For market context, a host-read spot on a typical show costs a brand roughly $20 to $30 for every thousand listeners it reaches. In-demand shows clear well above that. The more useful signal for this show is who already buys: Progressive has run roughly 5 to 6 appearances, alongside AT&T and Aura. Repeat buying at that level tells you more about where a show prices, and what it's worth to the brands buying it, than an outside estimate can.
Ads run on most episodes, so the show is in demand and inventory moves fast. Plan on reaching out sooner than you think you need to.
Figure about 1 week to book, 2 to 3 weeks to produce and run, plus 2 to 3 weeks of lead time, so roughly 5 to 7 weeks end to end.
I Miss You Man is sold direct rather than through one of the large networks. You can approach the show directly, or book through a platform that already has the show in its inventory. You can view different advertising platforms here.
It's an awareness buy. Spotsnow attributes no direct-response host-read activity to the feed, and the inventory runs as produced, dynamically inserted spots. If your plan needs coded attribution and a promo-code sales lift, this isn't the shape of it. If you want scale and association with a large comedy audience, it fits.
I Miss You Man isn't the only feed reaching this audience. Spotsnow shows which comedy podcasts have host-read spots open right now, and which brands already buy them.
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